Wednesday, July 30, 2008

Leave Chopins Heart Alone


Poland: Leave Chopin's Heart Alone

Chopin
The heart of Polish-born composer Frederic Chopin rests in the Church of the Holy Cross, in Warsaw, Poland.


(WARSAW, Poland) — Like a religious relic, the heart of composer Frederic Chopin rests in a Warsaw church, untouched since it was preserved in alcohol after his death in 1849 at age 39. And that's how the Polish government wants to keep it.
Scientists want to remove the heart for DNA tests to see if Chopin actually died from cystic fibrosis and not tuberculosis as his death certificate stated. But the government says that's not a good reason to disturb the remains of a revered native son.
The heart lies in a jar sealed inside a pillar at Warsaw's Holy Cross Church _ and the only time it has been removed was for safekeeping during World War II.
Before it was returned in 1951, a doctor examined the heart and found it perfectly preserved in an alcohol that many think is cognac. Chopin died in France, where his body is buried, but he asked that his heart be sent to his homeland.
Cystic fibrosis, an incurable genetic disease, was not discovered until many decades after Chopin's death, and the scientists who want to examine the heart say many of his symptoms match that illness, including respiratory infections, recurrent fevers, delayed puberty and infertility.
A spokeswoman for the Culture Ministry, Iwona Radziszewska, told The Associated Press on Thursday that ministry officials consulted experts and decided that "this was neither the time to give approval, nor was it justified by the potential knowledge to be gained."
One of the experts consulted, the head of the National Frederic Chopin Institute in Warsaw, Grzegorz Michalski, argued the scientists failed to demonstrate that they had sufficient expertise carrying out such DNA tests or that the chances of success were high.
He said the "dominant view" of Chopin experts "is that the proposed research is going to serve first and foremost to satisfy the curiosity of the project's authors," while offering no "new knowledge that would have a meaningful impact on the assessment of the figure and work of Chopin."
One of the scientists seeking to do the tests, geneticist Michal Witt, acknowledged that DNA testing might not prove whether Chopin was afflicted with cystic fibrosis or not.
Part of the uncertainty, he said, comes from not knowing what condition the heart is in after so many years in alcohol. But he said his team was made up of experts, including forensic molecular biologist Tadeusz Dobosz, fully capable of carrying out the study.
Witt believes authorities rejected the testing because of the relic-like status of the heart of Chopin, the musical genius claimed as one of Poland's greatest treasures.
"I'm sure that played a major role, and it's understandable," Witt said.
Chopin was born in 1810 in Zelazowa Wola, a village near Warsaw, to a Polish mother and French father. From an early age, he suffered frail health and nasal and lung infections typical of cystic fibrosis. He was so weak at times that he had to be carried off stage after concerts, and in his later years he taught piano while lying down.
Witt co-authored a paper in the Journal of Applied Genetics citing other symptoms indicating the possibility of cystic fibrosis. At age 22, Chopin complained facial hair wouldn't grow on one side of his face, a sign of delayed puberty. He also never fathered any children despite sexual relations with several women, including a famous relationship with the French writer George Sand, a mother of two children by her husband.
Though Chopin's death certificate says he died of "tuberculosis of the lungs and the larynx," the doctor who treated him, Jean Cruveilhier, said the death was caused "by a disease not previously encountered," according to historical documents cited by Witt in his paper.
Witt believes it is of more than just academic interest to investigate whether Chopin died of cystic fibrosis.
"It matters for those who are affected with cystic fibrosis, and with any other debilitating chronic disorder," he said. "Can you believe what message you send saying that you might become a genius even if you have a disorder like that? And it is a question worth answering if possible."
Associated Press writer Zuzia Danielski contributed to this report.

Wednesday, May 28, 2008

Friends In Low Places


Check out this fun concert featuring Tuba great Zac Spellman, The Bay Bones and bassoon players Lori and Mike Garvey and Mike Cooke playing Bugler's Holiday as a bassoon trio! Sounds fun!

Monday, May 19, 2008

Quinteto Latino on the Move!

WELCOME! BIENVENIDO!

Quinteto Latino blends the vibrant colors and vigorous rhythms of Latin American music with the sumptuous voices of the wind quintet: flute, oboe, clarinet, French horn, and bassoon. Whether exploring new twists on traditional folk songs or premiering works by living composers, these five musicians perform with impeccable artistry and infectious energy - educating, enriching, and entertaining listeners of all ages and backgrounds.

Founded in 2001 by French hornist Armando Castellano, this unique ensemble is passionately dedicated to a dual mission: to expand the cultural boundaries of classical music, and to make that music available, relevant, and inspiring to entirely new audiences.

EVENTS - EVENTOS

blog it

Monday, May 12, 2008

Keith Underwood Master Class



ANNOUNCING A MASTERCLASS
BY FLUTIST
KEITH UNDERWOOD
SUNDAY MAY 18, 2008
All Instrumentalist welcome



SUNDAY MAY 18, 2008
9:30 AM TO 5:30 PM
SAN FRANCISCO OPERA HOUSE CHORUS ROOM*

Keith Underwood is an internationally acclaimed performer and teacher. He is well known for his innovative teaching with particular emphasis on sound production and body awareness. He works regularly with instrumentalists from many major American orchestras. Keith has also taught and performed extensively in Japan, Europe, Mexico and Brazil.

PERFORMER RATE $100.00
AUDITOR, FULL DAY $60.00
AUDITOR, HALF DAY $30.00
(Morning session 9:30 AM- 1:00 PM
Afternoon session 2:00 PM- 5:30 PM)

For registration, please contact Julie McKenzie at jewelflute@aol.com, or at 415 566-4454
auditors may also register at the door at 9:00AM
*Enter at Opera house North stage door, Franklin and Fulton Streets

Friday, May 2, 2008

Summer Chamber Music Study


There is an opportunity for a few students of 15-25 age group to study the Chamber Music Repertoire (mostly WW quintets) in Southern California for two weeks from July 20 to August 2. They have never been short of bassoons before but seem to be this year. This shortage may result in half to full scholarships if you apply. You would be responsible for getting yourself out there.

Audition requirements for Bassoon:
(you may send CD/DVD/or MP3)
Mozart Bassoon Concerto K.191
Mvt. 1: mm35-71
Mvt. 2: mm7-30
Hindewith WW Quintet (Kleine Kammermusik)
Mvt.1 Letter D to 4 meas. after D
and letter F to 4 bars after F

Feel free to contact Ken Munday (the bassoon instructor) 818-970-6079 or e-mail mundayjk@yahoo.com, Steve Fraider in the 'office' to ask
questions(213-622-0355 or e-mail: IdyllartLA@aol.com).